Oil Painting

One Step at a Time

This weekend was an oil painting marathon. Six hours in two days. I really enjoy oil, the painting seems to emerge from the painting panel. When the color and shape are right, it looks “real”.

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Carol's moccasin left painted


So this is what happened, Carol and I are still put the “first sitting” on. That is the first layer of color.
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Margaret's right moccasin painted


Using fine bristle brushes, since they don’t come to a point like sable, use a smaller size. I like filberts, has a point and a slightly flat side of tip, making the brush more versital.
Now the hard part, look closely at moccasin(your object may be different). There are cool and warm tones on everything. Warm tones are the tones that are in the Direct light, Cool tones are in Indirect light. Wow! That really made sense.(just kidding) Here’s how I sort it out, top of moc is mostly warm tones.
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Direct light- where the light hits object


the sole/bottom of moc is cool tones(cool tones-reflected light from table, deeper, darker, larger shadows)
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Indirect light- No direct light- shadows and reflected lights


The side of moc are a mix depending where the light come from.
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Depending on where light is coming from


Now back to looking for where the shapes of shadows are and paint on your board. I am laughing, because this little task is the hardest thing to figure out. How to tune your eye, brain and intuition about painting to make this happen. 3 years in and I still very much feel like a novice.
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Carol's moccasin


Now to color!  Then mix the color as close as you can to the mid-range local color. The tan color of the suede moc. Not the highlights or shadow colors. Here’s where it gets tricky. Color mixing is practice and color chemistry.  It is about knowing what happens when you mix paint colors, there is no formula.
Back to suede color, it looks kind of yellowish, so mostly yellow ochre, with a little titanium yellow, add a touch of “red” and burnt sienna.
I work in two spots of paint, warm suede and cool suede piles.
So the warm suede adds the cad red light, burnt umber (to darken) and titanium yellow +touch of titanium white (to lighten)
On the cooler suede I add crimson (this is a super strong color, go lightly), raw umber (to darken) and titanium yellow (to lighten). The add a touch of medium to make it flow nice. Now you can see why it takes six hours and I only have half of one moc done.
Add in the drawing mistakes that were corrected. Most frustration comes back to incorrect drawing, at least I can see it earlier this time.
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Margaret's moccasin


We work very hard this weekend.
Have a Blessed Sunday! Wednesday! One week later! Argh!

Have a blessed week.

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Categories: alaska, Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Food and Restaurants, Oil Painting, Uncategorized | Tags: , , , , , , , | 1 Comment

Pliene Air Travel Sketching: A Watercolor Workshop in Annapolis Md. Jean Brinton Jaecks.

Well to say the least, Carol and I have been art busy since last month.
Pliene Air Travel Sketching: A Watercolor Workshop in Annapolis Md.
Our instructor was Jean Brinton Jaecks.
Jean did a great job explaing how the light reflects off things light building and trees. She also explained how light looks when soming through a tree, it makes the tree glow. I enjoyed the workshop very much.

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Day One: We started sketching at St. John’s College. Then everyone did two sketches around campus. Lovely lunch provided at the boathouse on campus.

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Day Two: We hoofed into town (a few blocks) and sketches houses. Carol and I sat together so we have similar subjects. While we were sketching houses the owners came across the street for a peek and a chat.

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Everyone was crazy friendly on this perfect October weekend. The sun/light kept coming and going behind clouds.

Carol painting

So when they say paint the “LIGHT FIRST”, they mean it. I finally figured out what the teachers have been saying. Duh!
After a sketch in town we wandered back to the boat house dock to paint the College Creek. A water painting. Hmmm. I find watercolor very difficult. I am not painting fast or confident enough….practice! Practice!practice! Ugg…it always comes down to hard work…lol.
After a very nice lunch of soup and salad.

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Jean Brinton Jaecks critiqued our days work. Her critiques were spott on. I was able to see where I did nicely and where improvement was needed. (No, I did not rip up and start over, how tempting is that)
Few hints: bring paper in different sizes, no larger than 9×12 inches. Larger paper means longer time. Practice drawing BEFORE you go! Practice trees, buildings. Bring camera, charged phone, gloves for cold mornings and money for coffee. A little snack would have helped. Our lifesavers were are art carts.

They carry art “STUFF” and have an attached seat. For the old and weary it was a welcome spot.
The class write up:
Watercolor sketching is an optimum way to see and experience travel and understand the world around us.
This workshop will focus on the study of atmosphere in the landscape, architectural details and expressing light in its ever changing moods. Artists will explore and sketch on the St. John’s campus, College Creek, and the historic houses and gardens in Annapolis surrounding the campus. Travel sketching can be very portable, and choosing the correct materials is essential. Lunch will be provided by St. John’s College, and a critique will complete each day. Participants should dress for the outdoors.

Categories: Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Food and Restaurants, Oil Painting, travel, Uncategorized | Tags: , , , , , | Leave a comment

Alaska oil painting

Carol has a different Alaskan  still life setup.

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Carol's basket and mocs

Carol’s will have a glow coming from behind basket area, very classic look.

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Carol's first color sitting

Now for the oil painters out there. Our colors are mostly Robert Doak Colors. Some Windsor Newton.
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This is our standard palette plus blues. The amber blob near the thumb hole is Maroger Medium it makes the colors more transparent and keeps the flexibility and intensity of color. Ohhhh so nice! Our painting are smooth in texture.

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Robert Doak Colors


NOTE:::: Right to left
Titanium White, titanium yellow, cadium yellow light, cadium yellow medium, cadium yellow dark, yellow ochre, burnt sienna,burnt umber, raw umber, black, pyrol crimson( does not fade, so they say), Cadium red light, cerulean blue, ultramarine blue.

Categories: alaska, Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Oil Painting, Uncategorized | Tags: , , , , , , , , | Leave a comment

Alaskan Still Life Oil Painting

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Margaret's set up ,in shadow box

What a whirlwind this summer and fall. Carol and I are settleing back into monthly oil painting lessons. Our lessons are 3 hours Friday and Saturday evenings.

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Toning the panel with burnt umber

We are moving along on our painting.
Our still life is Fur cuffed Alaskan moccasins, alaskan birch bark berry basket and wild blueberries for a natural touch.

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Carol's first sketch

Carol and I loved the texture of the suede and the fur.  The subtle shades and craftsmanship of the birch bark basket is lovely to see and touch. We wanted to paint these qualities into a painting.

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My first sketch.

Carol had a great idea and ordered faux blueberries to paint. As we finish the painting we will place real berries in to bring out the more “real” qualities of the blueberries.
This weekend we started adding our color first sitting. This layer has a color changes by value, light to dark.
The details are few, the challenge is to get the color value and intensity to match.

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Carol's first sitting, beautiful

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Margaret's first sitting

Whew! Now to wait until next month!

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Categories: alaska, Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Book Reviews, Botanical Drawing, Food and Restaurants, Oil Painting, travel, Uncategorized | Tags: , , , , , , , | 2 Comments

Post trip. Oil painting and jobs

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Going Home


Carol and I are busy planning our next Art Expeditions…
Fours weeks have past, since Carol and I have left Alaska. It seems like years have gone by. So many changes, some good. Some will see what happens. For Carol after a bit of jet lag, life is returning to “normal”. Art teacher by day and librarian at night. ….busy hectic schedule.
For me, school started promptly at 7:30am, the day after I returned. This summer brought changes, cut to halftime due to enrollment drop. So art teacher in mornings and cognitive brain trainer in afternoons. Well my days are long and steady.
Last week I resigned from part time teaching job. It’s a great move.
Carol and I have started new oil paintings. Alaska themed!
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Photo of Alaska still life set up


Soft suede mocisains with fur and a sweet birch bark berry basket with blue berries tumbling out…this will ne fun.
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Under painting by Margaret


Our teacher Scott Royston, loved the still life set up.
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Faux blueberries


Carol found (bought) faux berries that look so real.
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Carol's underpainting


On to new art adventures…

Categories: alaska, Art Educations, art expedition, Art Techniques, Oil Painting, travel, Uncategorized | Tags: , , | 2 Comments

Packing and Closing.

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4000+ miles to get to Alaska

Packing for a three week road trip, argh! What to bring? What to leave? What will airline tolorate?
Short list: weeks worth of clothes. Hiking shoes, flip flops, nice shoes.
A dress, toiletries including mosquito repellant (I heard they were bad this year…oh no) …..list goes on.

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Mosquito Repellant!!!!


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Art cart and supplies in big black bag, clothes in big white bag and carry-on. Plus a tote-bag purse. My aching back!!!!

And of course ART supplies: camera, tripod, batteries, flashlight, computer, flash drive. Now the  fun stuff two Komtrak sketchbooks with assorted art paper cut to size (drawing and watercolor), drawing pencil, erasers white and drawing erasers, scissors, tape, envelopes, magnifing glass, colored pencils, watercolor kit, water color pencils for plane, exacto knife and not to forget pencil sharpener.
I am finally packed.
God bless Margaret

Categories: alaska, Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Botanical Drawing, Oil Painting, travel | Tags: , , | Leave a comment

OILS by Melanie Cambridge

colors  melanie cambridge 001colors boat 001  colors people 001 colorstownscape 001This is a great little book on fast 30 minute painting techniques. It was written for oils but has great ideas to apply to other mediums. I loved the way the fast sketching of the people.  This book covers color theory, art techniques and composition  along with great tips on many of the pages. I have been looking for ways to improve my sketching skills.    ISBN 978-0-00-730117-1

Categories: Art Educations, Art Supplies and Equipment, Art Techniques, Book Reviews, Oil Painting | Tags: , , , , , | 2 Comments

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