Posts Tagged With: moccasins

One Step at a Time

This weekend was an oil painting marathon. Six hours in two days. I really enjoy oil, the painting seems to emerge from the painting panel. When the color and shape are right, it looks “real”.

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Carol's moccasin left painted


So this is what happened, Carol and I are still put the “first sitting” on. That is the first layer of color.
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Margaret's right moccasin painted


Using fine bristle brushes, since they don’t come to a point like sable, use a smaller size. I like filberts, has a point and a slightly flat side of tip, making the brush more versital.
Now the hard part, look closely at moccasin(your object may be different). There are cool and warm tones on everything. Warm tones are the tones that are in the Direct light, Cool tones are in Indirect light. Wow! That really made sense.(just kidding) Here’s how I sort it out, top of moc is mostly warm tones.
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Direct light- where the light hits object


the sole/bottom of moc is cool tones(cool tones-reflected light from table, deeper, darker, larger shadows)
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Indirect light- No direct light- shadows and reflected lights


The side of moc are a mix depending where the light come from.
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Depending on where light is coming from


Now back to looking for where the shapes of shadows are and paint on your board. I am laughing, because this little task is the hardest thing to figure out. How to tune your eye, brain and intuition about painting to make this happen. 3 years in and I still very much feel like a novice.
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Carol's moccasin


Now to color!  Then mix the color as close as you can to the mid-range local color. The tan color of the suede moc. Not the highlights or shadow colors. Here’s where it gets tricky. Color mixing is practice and color chemistry.  It is about knowing what happens when you mix paint colors, there is no formula.
Back to suede color, it looks kind of yellowish, so mostly yellow ochre, with a little titanium yellow, add a touch of “red” and burnt sienna.
I work in two spots of paint, warm suede and cool suede piles.
So the warm suede adds the cad red light, burnt umber (to darken) and titanium yellow +touch of titanium white (to lighten)
On the cooler suede I add crimson (this is a super strong color, go lightly), raw umber (to darken) and titanium yellow (to lighten). The add a touch of medium to make it flow nice. Now you can see why it takes six hours and I only have half of one moc done.
Add in the drawing mistakes that were corrected. Most frustration comes back to incorrect drawing, at least I can see it earlier this time.
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Margaret's moccasin


We work very hard this weekend.
Have a Blessed Sunday! Wednesday! One week later! Argh!

Have a blessed week.

Categories: alaska, Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Food and Restaurants, Oil Painting, Uncategorized | Tags: , , , , , , , | 1 Comment

Alaska oil painting

Carol has a different Alaskan  still life setup.

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Carol's basket and mocs

Carol’s will have a glow coming from behind basket area, very classic look.

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Carol's first color sitting

Now for the oil painters out there. Our colors are mostly Robert Doak Colors. Some Windsor Newton.
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This is our standard palette plus blues. The amber blob near the thumb hole is Maroger Medium it makes the colors more transparent and keeps the flexibility and intensity of color. Ohhhh so nice! Our painting are smooth in texture.

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Robert Doak Colors


NOTE:::: Right to left
Titanium White, titanium yellow, cadium yellow light, cadium yellow medium, cadium yellow dark, yellow ochre, burnt sienna,burnt umber, raw umber, black, pyrol crimson( does not fade, so they say), Cadium red light, cerulean blue, ultramarine blue.

Categories: alaska, Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Oil Painting, Uncategorized | Tags: , , , , , , , , | Leave a comment

Alaskan Still Life Oil Painting

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Margaret's set up ,in shadow box

What a whirlwind this summer and fall. Carol and I are settleing back into monthly oil painting lessons. Our lessons are 3 hours Friday and Saturday evenings.

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Toning the panel with burnt umber

We are moving along on our painting.
Our still life is Fur cuffed Alaskan moccasins, alaskan birch bark berry basket and wild blueberries for a natural touch.

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Carol's first sketch

Carol and I loved the texture of the suede and the fur.  The subtle shades and craftsmanship of the birch bark basket is lovely to see and touch. We wanted to paint these qualities into a painting.

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My first sketch.

Carol had a great idea and ordered faux blueberries to paint. As we finish the painting we will place real berries in to bring out the more “real” qualities of the blueberries.
This weekend we started adding our color first sitting. This layer has a color changes by value, light to dark.
The details are few, the challenge is to get the color value and intensity to match.

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Carol's first sitting, beautiful

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Margaret's first sitting

Whew! Now to wait until next month!

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Categories: alaska, Art Educations, art expedition, art supplies, Art Supplies and Equipment, Art Techniques, Art Workshops, Book Reviews, Botanical Drawing, Food and Restaurants, Oil Painting, travel, Uncategorized | Tags: , , , , , , , | 2 Comments

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